French violinist Bernard Zinck known for his “round and opulent tone and his vibrato bringing moments of sheer ecstasy” [the Strad] began his career after winning the 1992 Yehudi Menuhin Trust Award in Paris.
His talent and interpretive insight have made him a sought-after musician who has performed extensively in concerts and recitals in Europe, the United States, Canada, Mexico, Haiti, Brazil, South Korea and Japan. His artistry has been praised in terms such as "impeccable accuracy of pitch" and "formidable technique". Fanfare Magazine was impressed by the "singing, sensuous, sumptuous, shimmering” quality of his playing, which Le Figaro summed up in the expression "violon solaire.”
A frequent guest artist at music festivals and venues worldwide, Zinck has performed at Weill Hall at Carnegie Recital Hall, National Gallery and Phillips Collection in Washington DC, Santa Fe Concert Association (United States); Oscar Peterson Hall in Montreal (Canada); Sala Cecília Meireles in Rio de Janeiro and International Chamber Music Festival of Paraíba (Brazil); Oji Hall and Shirakawa Hall (Japan). In Europe, he has given concerts at the Théâtre du Châtelet,Théâtre de l'Ile Saint-Louis and Athénée Théâtre Louis Jouvet in Paris, Théâtre Impérial in Compiègne, Les Flâneries de Reims, Radio-France Montpellier, Rencontres Musicales de Calenzana and the cathedrals of Alençon, Clamecy, Le Mans, Sées and Tours (France); Brighton Arts (U.K.); World Academy of Irish Dance and Music in Limerick (Ireland); Salzburg Mozarteum (Austria); Liszt Academy in Budapest (Hungary); Euregio Maas-Rijn Organ Festival (Holland); Szymanowski Festival in Zakopane (Poland and Sicily); Basilica San Clemente in Rome and Orsanmichele Church in Florence (Italy).
He has appeared as guest soloist with many orchestras, including the New Mexico Symphony, San Juan Symphony and the Princeton Chamber Players in the United States, Orquesta Sinfónica de Chihuahua (Mexico), Porto Alegre, Unisinos, Caxias and Camargo Guarnieri symphony orchestras in Brazil, Hungarian National Philharmonic, Bohemia Symphony, Radio-Television Orchestra of Romania, New Opera Di Roma Orchestra and the Orchestre Symphonique de Tours. In Paris, Zinck gave the European premiere of Chebaline’s Concertino for violin and strings op. 14/1 with the Orchestre National de la Garde Républicaine.
Based in Milwaukee, Zinck has performed extensively throughout the region. Chicago performances include the Dame Myra Hess Series at the Cultural Center, Rush Hour at St. James Cathedral, Cube, Alliance Française and on WFMT “Live from Studio One” with members of the Chicago Chamber Musicians. In Wisconsin, he has appeared at the Milwaukee Art Museum and All Saints Cathedral (Milwaukee), the Chazen Museum of Art (Madison) and the Lawrence University Conservatory of Music (Appleton).
As a recording artist, Bernard Zinck has released the complete works for violin and piano of Karol Szymanowski (Ligia Digital), the “Live from France Album” (Musical Heritage Society) and a recording featuring chamber music works by Burt Levy and Yehuda Yannay (Vienna Masters). One of his performances at the Rush Hour concerts was featured on NBC Nightly News with Brian Williams, and he has been featured on an array of television and radio broadcasts in France and the United States. In 2016 and 2021, he wrote articles on performance arts injuries that were published by String Magazine and The Strad.
A committed educator, Dr. Zinck was awarded the “Certificate of Excellence in Studio Teaching” by the Milwaukee Civic Music Association in 2018. He is currently Associate Professor of Violin and Chamber Music Director at the University of Wisconsin-Milwaukee and is also the artistic director and founder of the Lakeside Chamber Music Workshop (Illinois and Loire Valley) and the chamber music festival Musiques et Vignes en Confluence (Saint-Germain-sur-Vienne, France). He has served on the faculty of the Köhln Summer Institute in Montepulciano, the International Lyric Academy of Rome and the Tuscia Operafestival (Italy), Music in the Alps and Acamédie des Arts in Courchevel and Flaine (France), Holy Trinity Summer Music camp in Haiti, and the Eastern Music Festival where he served as “Distinguished Teaching Artist” in 2019.
Zinck graduated from the Conservatoire Supérieur de Musique de Paris (first prizes in violin and chamber music), the Juilliard School as a Fulbright scholar (Bachelor and Master of Music) and Temple University as a Russell Conway Fellow (Doctor of Musical Arts). He wrote his doctoral thesis on the Chevalier de Saint-George, his violin style and Eighteenth-Century Musical aesthetics.
Bernard Zinck plays the Rogeri “Feibelmann”, a Giovanni Battista Rogeri violin, dated 1690 - a purchase made possible with the support of the Bass family.
Concerts
A native of France, violinist Bernard Zinck won the 1992 Yehudi Menuhin Trust Award in
Paris and since that time has appeared in recitals, as soloist with orchestra and as a
chamber musician throughout Europe, North and South America and Asia. A committed
educator, he was awarded in 2018 the “Certificate of Excellence in Studio Teaching” by
Civic Music Association of Milwaukee.
Zinck graduated from the Paris Conservatory and, after winning first prizes in violin and
chamber music, was admitted as a Fulbright scholar to the Juilliard School, where he
earned his BM and MM degrees. In 2006, he received a DMA degree from Temple
University in Philadelphia. He wrote his thesis on the eighteenth-century French
violinist, Chevalier de Saint-George, a remarkable figure of the French Enlightenment
whose compositions he has researched, lectured on and performed in Montreal's Black
History Month, the Chicago Festival de la Francophonie, and the EACLALS triennial
conference in Venice.
Dr. Zinck is regularly invited to conduct master classes and residencies throughout the
world, and recently taught as a Distinguished Teaching Artist at the Eastern Music
Festival. He is currently Associate Professor of Violin and Chamber Music Director at
the University of Wisconsin-Milwaukee, and is also the artistic director and founder of
the Lakeside Chamber Music Workshop (Illinois and Loire Valley). He has served on the
faculty of the Köhln Summer Institute in Montepulciano, the International Lyric Academy
of Rome and the Tuscia Operafestival (Italy), Music in the Alps in Courchevel, and Holy
Trinity Summer Music camp in Haiti. In July 2020, he will be joining the faculty of the
Académie des Arts in Flaine, (France).
His talent and interpretive insight have made him a sought-after soloist who has
performed extensively in concerts and recitals in Europe, the United States, Canada,
Mexico, Haiti, Brazil, South Korea and Japan. His artistry has been praised in terms
such as "impeccable accuracy of pitch" and "formidable technique." Strad Magazine
noted his "round and opulent tone” and his "vibrato bringing moments of sheer ecstasy,”
while Fanfare was impressed by the "singing, sensuous, sumptuous, shimmering”
quality of his playing, which the French Figaro summed up in the expression "violon
solaire.”
A frequent guest artist at music festivals and venues worldwide, Zinck has performed at
Weill Hall at Carnegie Recital Hall, the National Gallery and Phillips Collection in
Washington DC, Santa Fe Concert Association (U.S.A.); Oscar Peterson Hall in
Montreal (Canada); Sala Cecília Meireles in Rio de Janeiro and the International
Chamber Music Festival of Paraíba, Teatro Municipal in Uberlândia and Teatro Arthur
Azevedo in São Luis (Brazil); Oji Hall and Shirakawa Hall (Japan). In Europe, he has
given recitals at the Théâtre du Châtelet and Athénée Théâtre Louis Jouvet in Paris,
Théâtre Impérial in Compiègne, Les Flâneries de Reims, Radio-France Montpellier,
Rencontres Musicales de Calenzana, Musicales de Montsoreau and the cathedrals of
Alençon, Clamecy, Le Mans, Sées and Tours (France); Brighton Arts (U.K.); World
Academy of Irish Dance and Music in Limerick (Ireland); Salzburg Mozarteum (Austria);
Liszt Academy in Budapest (Hungary); Euregio Maas-Rijn Organ Festival (Holland);
Szymanowski Festival in Zakopane (Poland); Basilica San Clemente in Rome and
Orsanmichele Church in Florence (Italy).
He has appeared as guest soloist with many orchestras, including the New Mexico
Symphony, San Juan Symphony and the Princeton Chamber Players (USA); Orquesta
Sinfónica de Chihuahua (Mexico, Porto Alegre, Unisinos, Caxias and Camargo
Guarnieri symphony orchestras (Brazil), Hungarian National Philharmonic; Bohemia
Symphony and Radio-Television Orchestra of Romania; New Opera Di Roma
Orchestra; and the Orchestre Symphonique de Tours. In Paris, Zinck gave the
European premiere of Chebaline’s Concertino for violin and strings op. 14/1 with the
Orchestre National de la Garde Républicaine.
Residing in the Midwest, Zinck has performed extensively throughout the region: in
Chicago at the Dame Myra Hess Series at the Cultural Center, Rush Hour at St. James
Cathedral, Cube, Alliance Française, and with members of the Chicago Chamber
Musicians on WFMT “Live from Studio One;” in Wisconsin at the Calatrava Art Museum
and All Saints Cathedral (Milwaukee), Chazen Museum of Art (Madison) and Lawrence
University Conservatory of Music (Appleton).
Bernard Zinck has recorded for Ligia Digital (Complete works for violin and piano of
Karol Szymanowski), the Musical Heritage Society (Live from France) and Vienna
Masters (Chamber music works by Burt Levy and Yehuda Yannay). One of his
performances at the Rush Hour concerts was featured on NBC Nightly News, and he
has been featured on many television and radio broadcasts in France and the United
States. In 2016, he wrote an article “Coping and Recovering from Injuries” that was
published by String Magazine.
Since 2002, Bernard Zinck plays the Rogeri “Feibelmann”, a Giovanni Battista Rogeri
violin, dated 1690 - a purchase made possible with the support of the Bass family.
Teaching
With over 25 years of teaching experience, Bernard Zinck continues to be a dedicated violin and chamber music pedagogue. He currently holds the positions of Associate Professor of Violin and Director of the Sorkin Chamber Music Institute at the University of Wisconsin-Milwaukee. His commitment to chamber music has led him to create the Lakeside Chamber Music Workshop, a summer program that offers participants chamber music coaching, master classes and presents concerts. His students have been admitted into music programs at the Paris Superior Conservatory of Music, the New England, Oberlin and San Francisco conservatories and the Jacobs School of Music at Indiana University. Many have won competitions, positions in orchestras and universities, or have started string programs in their own communities.
As the product of both conservatory and university training, Bernard Zinck firmly believes in a well-rounded musical and academic education. In his teaching, he stresses the importance of acquiring the broadest possible knowledge – a knowledge focused not only on the instrument but also on physiology, music history and analysis, aesthetics, art and history. Equipped with a rich contextual background, his students are encouraged to seek mind and body connections, leading them to develop a natural and stress-free technique. Awareness of how the body works is an essential component of his teaching, as every aspect of violin technique requires a set of precise and well-coordinated physical actions. Once students develop and incorporate this awareness, they are able to concentrate on the musical aspect of their training. In this regard, he encourages his students to study scores, recordings, and write research papers in order to learn about each composer's musical style.
A performer himself, Bernard Zinck seeks to offer many performance opportunities to his university students. Performing in weekly master classes, class recitals on and off campus, chamber music concerts, or collaborative performances with dancers or other artists, they hone their skills and learn to become confident and at ease on stage.
"Zinck has a round and opulent tone, a vibrato bringing moments of sheer ecstasy...impeccable accuracy of pitch and acrobatics gorgeously captured." The Strad Magazine
"Zinck is an excellent player, his technique fully equals the formidable demands of the music. Pure, sweet, expressive tone brings poetry and lyricism. Highly talented and accomplished violinist." Strings Magazine
"Singing, sensuous, shimmering, radiant - and glowingly recommended." Fanfare
"High on the list of essential Szyamanowski recordings...absolutely captures the mysterious and otherwordly atmosphere of the Mythes." High Fidelity
"Bernard Zinck's playing is distinguished by superhumanly accurate intonation. He also has the technique and muscle to realize the music more passionate moments...the result is pure music." Musical Heritage Review
"Zinck plunges into Szymanowski with intensity and plays with a shimmering tone." Diapason
"Zinck played with strong technique and he phrased with sensitivity. His timbre was particularly eloquent and his brio winning" The Washington Post
"Franck's famous sonata emerged with passion served up on flawless playing. Musicality and control was just as evident...gentle, lively, magical and dashing." Classical New Jersey
"Rich sound...tasteful playing...Zinck is a bold, expressive, commanding player. Hi moves comfortably and convincingly from style to style. His interpretations are full of the nuance and detail that demand attention." The Milwaukee Journal
"Bernard Zinck made the phrases swell, crest and break vigorously. This is thrilling music, and also beautifully crafted.The intensity never fell." Milwaukee Journal Sentinel
"He demonstrated powerful technique, strong musical taste and an easy platform presence...rounded performances with real artistic interest.Zinck was superb, his playing had plenty of fire and he refined his tone to a whisper. His agility was staggering. The concert was a high-voltage program of concentrated and rewarding music making. The Santa Fe New Mexican
"Quiet virtuosity and sustained grace...eloquent interpretation, the luminous product of a refined sensibility." The Albuquerque Journal
"Excellent style in keeping with a strong sense of French tradition...eloquent and sensuous playing." Tokyo Asahi News
"Splendid interpretation, extraordinary concert and well deserved standing ovation." El Diario, Chihuahua
"A scintillating violinist, exceptionally gifted with a string of impressive performances to his credit...Plays with virtuosity, energy and panache...sensitive and depply moving." Le Figaro, Paris
"A concert of rare beauty by an exceptional artist." Dernières Nouvelles D'Alsace
"Prestigious concert. Magnificent, round and clear tone." Centre Presse - Nord
Contact
Bernard Zinck concert bookings and publicity appearances are managed by:
The University of Wisconsin-Milwaukee
Peck School of the Arts
Music 441
3223 N. Downer Avenue
Milwaukee, WI 53211-3153
Chamber Music Coaching bookings
Ellias-Frankel Publicist
Marsha Ellias, President
603 Woodgate Avenue
Long Branch, New Jersey 07740
